Renaissance art was born in the second half of the fourteenth century and continued to develop throughout the fifteenth and sixteenth centuries, gradually covering one after another, all the countries of Europe. Renaissance art reflected the specific nature of the transitional epoch.
Renaissance, which was closely linked to Florence and its society, is undoubtedly one of the most exciting in the history of Western civilization. It not only showed the world a whole galaxy of artists and humanist thinkers, but still contributes to the development of scientific thought, the formation of high culture, and is a great teacher of the beautiful.
Formation of a new culture has become a matter primarily humanistic intellectuals, in their origin and social status rather motley and heterogeneous. Ideas, put forward by humanists, were difficult to characterize as “bourgeois” or “early bourgeois.” In the culture of the Italian Renaissance there was founded the nucleus of a new outlook, the specific features that defined Renaissance. It was generated by the new demands of life itself, as humanists eagerly sought achieving higher levels of education for a sufficiently wide section of society.
The origin of prerequisites of the new humanistic outlook is more specifically associated with progressive tendencies in the development of spiritual culture of Europe 12-13 centuries.
Urban non-church schools and founded on their basis universities became the focus of secular knowledge, reflecting the needs of social development. In the early Renaissance, the question began to arise of how secular or public art should be, how anthropocentric, what was the man’s place in it.
Skillful brush, complex composition, perspective (three-dimensional painting), color, light, radiance, generic ciprofloxacin light and shadow, emotion and thoroughness in the work these were the main characteristics of Renaissance art. Mythological and biblical characters were central to the artists of the period.
The human body was the main source of inspiration and the object of study in the art of the Renaissance. Similarity with reality has reached such an extent that the characters depicted in the works, seemed alive unlike presented by the art of the twentieth century, where, for example, in a painting by Georges Seurat people are more like fossils.
For artists and scientists the human body was an infinite source. They constantly improve their knowledge and skills by studying the human body. Physical perfection reflected the prevailing view then, that man was created in the image and likeness of God. The gods were really personified and depicted as people with features that were inherent in a person, unlike the works of art of the Middle Ages.
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